My Neighbor Totoro: two sisters and their forest neighbours
となりのトトロ
My Neighbor Totoro is a Studio Ghibli animated feature written and directed by Hayao Miyazaki, also credited with its original story. Released in Japan on 16 April 1988, it runs about 86 minutes. A father and his two daughters move to the countryside while their mother recovers in a nearby hospital; the house and woods introduce unexpected neighbours.
The feature film, its title creature and later adaptations are distinct subjects.
Satsuki and her younger sister Mei are the central human characters.
Its first theatrical release preceded wider television exposure, merchandise and adaptations.
01
The story and the people making it
A new home and a mother in hospital
The father and sisters move to a country house near their mother’s hospital. In the old house they discover small black soot creatures, which the neighbour’s grandmother identifies as susuwatari. Neighbours, school and concern for their mother form the everyday setting of these encounters.
The sisters approach their new home, with flowers in front and trees around it
Mei follows two smaller creatures from the garden to the roots of a camphor tree, where she meets the much larger Totoro. Satsuki first learns of him through her sister. Later, Mei goes missing and Satsuki searches for her. The Cat Bus combines a cat-like body with windows and space for passengers, making a creature into transport.
Animation, setting, colour and music involved different work
Miyazaki supplied the original story, screenplay and direction. Yoshiharu Sato supervised animation, Kazuo Oga directed the art, Michiyo Yasuda designed the colours and Joe Hisaishi composed the music; Azumi Inoue performed the theme song. These team members developed the moving figures, painted settings, colour choices and music.
Work
Contributor
Original story, screenplay, direction
Hayao Miyazaki
Animation direction
Yoshiharu Satō
Art direction
Kazuo Oga
Colour design
Michiyo Yasuda
Music
Joe Hisaishi
Theme-song performance
Azumi Inoue
Background light and the songs framing the film
Museum curator Itō describes the search for Mei through changing background light: evening gives way to sunset and night. Detailed foreground painting and softened distant washes also create depth and humid atmosphere. Azumi Inoue’s Sanpo is the opening theme and Tonari no Totoro the ending theme, alongside Hisaishi’s instrumental film score.
Evening
Sunset
Night
Light changes as the search continues into the night. These colour swatches explain the time relation; they do not reproduce film frames.
Scene reproduced in the museum’s 2019–2020 annual report, contrasting near vegetation with distant trees and hills
Ghibli’s studio history describes concurrent production with Grave of the Fireflies and their April 1988 double-bill release. Its retrospective account distinguishes favourable reception from disappointing initial theatrical business. The film’s later familiarity should therefore not be projected back as immediate commercial success.
Television and character merchandise extended its reach
Critic Yutaka Tsukada’s exhibition report for the Agency for Cultural Affairs MACC connects the 1989 television broadcast with growing popularity, drawing on Toshio Suzuki’s recollection. Ghibli’s history also describes plush toys about two years after the release helping recover production costs, and Totoro becoming the studio mark. These were additional routes to audiences.
Plush-toy image beside the 1990 release entry in Sun Arrow’s current history
Overseas distributors offer subtitled and dubbed editions. Dakota and Elle Fanning voice the sisters in the English edition listed by GKIDS; Noriko Hidaka and Chika Sakamoto voiced them in the original Japanese film. Viewers thus encounter different language performances of the same characters and story.
A separate museum short
The Ghibli Museum’s October 2002 diary records screenings of Mei and the Kittenbus. Made as a separate museum short, it extends the world associated with Mei and the Cat Bus. The theatrical feature and museum animation therefore have distinct presentation settings.
A stage adaptation premiered in 2022
The Royal Shakespeare Company production premiered at London’s Barbican in 2022, adapted by Tom Morton-Smith and directed by Phelim McDermott. Live arrangements of the music and puppetry helped turn an animated feature into a performance. Its physical forms and timing required a new production process.
Work or presentation
Relation to the 1988 film
Japanese feature
The original film
English dub
Another language performance of the same film
Mei and the Kittenbus
A separately made museum short
2022 stage production
Live adaptation using puppetry and music
Check your understanding
Was the feature adapted from an earlier novel of the same name?
Ghibli credits Miyazaki with the original story as well as screenplay and direction; this subject concerns that original 1988 animated feature.
Is Cat Bus another name for Totoro?
No. They are different figures in the film.
How do the backgrounds convey passing time during the search for Mei?
Changing light moves from evening through sunset to night, making the passage of time visible.
How do the house and woodland connect ordinary life with strange encounters?
The sisters move with their father and worry about their mother, while meeting soot creatures in the house and Totoro near the tree roots. The strange encounters grow out of their new everyday surroundings.