A honbasho is an official professional sumo tournament run by the Japan Sumo Association. Its results help determine positions on the banzuke, the association’s official ranking sheet, for the following tournament. Regional tours, or jungyō, feature practice, demonstrations and exhibition bouts rather than having the same ranking function.
IN 30 SECONDS
Grand sumo tournaments
本場所(ほんばしょ)
Fifteen-day professional sumo tournaments whose results shape the next ranking.
Six tournaments: three in Tokyo, three elsewhere
Normally fifteen bouts in the top two divisions; seven below
A championship is a result; yokozuna is a rank
The schedule and the record
The tournament that counts
Honbasho
Accumulated record → next banzuke position
Jungyō
Practice, demonstrations and exhibition bouts
The banzuke lists ranks and positions; each bout contributes to a tournament record.
Six tournaments in four cities
Regular pattern: three in Tokyo, one in each other city
January
Tokyo
March
Osaka
May
Tokyo
July
Nagoya
September
Tokyo
November
Fukuoka
Day 1Shonichi
15 consecutive daysDay 15Senshūraku
A recurring month/city framework; consult the association for each year’s actual dates and venues.
The regular calendar has tournaments in January, March, May, July, September and November. Tokyo hosts three; Osaka, Nagoya and Fukuoka host one each. A tournament lasts fifteen consecutive days, from shonichi, the opening day, to senshūraku, the final day. Check the current official schedule for dates and venues.
Fifteen days, different bout totals
Makuuchi
Internal ranks include yokozuna and sekiwake
Jūryō
The second division
Makushita and below
The usual lower-division programme
Fifteen tournament days need not mean fifteen individual bouts. The Ōshōma example below gives actual dates for a seven-bout record.
Makuuchi is the highest division and jūryō the second; makushita is the division immediately below them. Names such as yokozuna and sekiwake denote ranks within makuuchi. Wrestlers in the top two divisions normally compete once a day, for fifteen bouts, while those below normally have seven. The tournament’s day number therefore does not tell you how many bouts every wrestler has completed.
Reading a record
Win
Loss
Default win
Default loss
Rest or no bout
Normal 15-bout schedule
8 wins / 15 bouts
Normal 7-bout schedule
4 wins / 7 bouts
Thresholds assume a completed scheduled programme. や alone does not establish injury, and promotion has no fixed formula.
In the official record table, ○ means a win and ● a loss; □ and ■ mark wins and losses by default. The symbol や means rest or no bout, not necessarily an injury. In a completed schedule, more wins than losses is kachikoshi and the reverse is makekoshi. The usual thresholds are eight wins in fifteen bouts or four in seven. The next ranking depends on the record and previous position, without a fixed promotion formula.
Seven bouts across fifteen days
Ōshōma, November 2021, makushita: four wins and three losses
By day 10: five bouts completed. Whole tournament: seven bouts, 4–3.
A date example rearranged from the association’s record, not a facsimile of its table. “No bout” adds no loss.
Ōshōma’s November 2021 makushita record was four wins and three losses. He lost on days 2, 6 and 15 and won on days 3, 7, 10 and 12, with no bout on the remaining days. By day 10 he had therefore wrestled five times. The empty dates are part of the lower-division schedule, not additional losses.
Separate absences from default losses
Wajima, November 1973: makuuchi champion at 12–2–1
First 13 days, combined
12 wins + 1 loss
Day 14
■ Default loss: the second loss
Day 15
One separate absence; attends only the presentation
The first thirteen days are shown as an aggregate. Injury absence differs from an unscheduled lower-division date.
Wajima won the November 1973 makuuchi title with twelve wins, two losses and one absence. Injured, he withdrew from day 14, taking a default loss that day, and returned only for the final-day presentation. The default is included in his two losses; the missed final-day bout is the separate absence. This differs from a lower-division date on which no bout was scheduled. Withdrawal did not undo the title he had already secured.
Bouts, awards and the day’s programme
Opponents are scheduled as the tournament develops
Inputs
Division, rank and tournament performance
Day-by-day scheduling
Bouts are arranged as the event develops
Regular bouts: stablemates and close relatives normally kept apart
Championship playoffs: exceptions apply
A honbasho is neither a complete round robin nor a knockout bracket. Matchmakers arrange bouts as it proceeds, taking account of rank and performance. Stablemates and close relatives are normally kept apart in regular bouts, with exceptions for championship playoffs.
A title is different from a rank
Compare records within one division and tournament
Tie for the best record
Championship playoff
Division championship
Championship: an event result
Yokozuna: the highest makuuchi rank
Three special prizes: separately selected achievements
Outstanding performance / fighting spirit / technique
Eligible: makuuchi wrestlers ranked sekiwake or below
Each division has a championship, with a playoff to resolve a tie for the best record. The makuuchi title is a tournament result; yokozuna is the highest rank within that division. A committee also awards separate prizes for outstanding performance, fighting spirit and technique to eligible makuuchi wrestlers ranked sekiwake or below. These recognise particular achievements rather than finishing places.
One day in the arena
Normally: first out of the ring loses
Normally: first to touch with a body part other than a sole loses
- Lower divisions → jūryō → makuuchi, with ring entrances between parts
- Gyōji officiate; yobidashi announce and handle arena duties; judges confer when needed
- A ring entrance is a ceremony; a bout produces a result
The programme moves from the lower divisions towards jūryō and makuuchi, with ring-entering ceremonies between parts of the schedule. Normally, the first wrestler to leave the ring or touch the ground with any body part other than the soles of his feet loses. Gyōji officiate; yobidashi announce competitors and handle other arena duties. Ringside judges may confer on a result. The ceremonies themselves do not produce wins and losses.
How the modern schedule developed
From regular Edo promotions
Professional wrestlers and regular promoted contests developed in the Edo period. Ranking sheets, ring-entering ceremonies and ceremonial aprons retain features associated with that history. The calendar and organisation of today’s honbasho took shape through later changes.
Unification, then radio timing
1927
Tokyo and Osaka associations merge
January 1928
Radio begins; the programme must fit the broadcast slot
Makuuchi shikiri time limits
10minutes: initial limit
4minutes: later limit
Shikiri is preparation and coordination before starting, rather than the duration of the bout itself.
The Tokyo and Osaka associations merged in 1927. Live radio coverage followed in January 1928, creating a need to finish the programme within its broadcasting slot. Limits were introduced for shikiri, the preparation in which opponents face one another and coordinate their start: initially ten minutes in makuuchi, later reduced to four. Radio changed the arena’s timing as well as the audience’s reach.
Why tournaments grew longer
Earlier ten-day events
Increased to eleven
Summer tournament, 1937
1939
These are tournament lengths, distinct from annual frequency. The 1930s extensions responded to demand; postwar changes followed.
Tournament duration changed separately from annual frequency. After an increase from ten to eleven days, the crowds attracted by Futabayama’s winning streak prompted a thirteen-day summer tournament in 1937 and fifteen days in 1939. The disruption after the war brought further changes. Fifteen days was a developed arrangement, not a rule that governed every earlier tournament.
The postwar six-tournament calendar
1951–1957 Nagoya quasi-official tournaments
1958 Becomes the sixth official tournament
1952: ring posts replaced by a suspended roof
Different dates and viewpoints, rather than photographs taken around the 1952 work. The change’s date comes from the association’s historical account.
Tournament frequency and duration changed through the prewar and postwar years. Nagoya hosted quasi-official tournaments from 1951 to 1957, then became the sixth official tournament in 1958, establishing the six-tournament, fifteen-day framework. During this period, a suspended roof replaced the four ring posts in 1952, opening spectators’ sightlines.
Following the whole tournament
Follow each bout within a day, and accumulated records across the tournament. Calendar days and individual bout counts are different measures.
Live attendance, television and online coverage offer different ways to follow the event. Tokyo’s present Kokugikan opened in 1985, while venue details elsewhere can change. A daily bout makes more sense when set beside the accumulated record and the remaining championship contenders.
The calendar can be interrupted
Two exceptions in the 2020 announcement
May tournament
Cancelled
July tournament
Nagoya → Tokyo
These were specific 2020 arrangements; the year’s announcement takes precedence over the recurring city list.
The six-tournament pattern has exceptions. The May 2020 tournament was cancelled amid COVID-19 restrictions, and the July tournament moved from Nagoya to Tokyo. The regular city list therefore describes a framework, rather than every year’s complete record.
What can you now explain?
Is a wrestler eliminated after one loss?
No. Competition continues, and the accumulated record matters.
Does everyone wrestle fifteen times?
Normally the top two divisions have fifteen bouts and lower divisions have seven.
Do tour results count in the same way?
Regional tours do not have the ranking function of honbasho.
Were Ōshōma’s unscheduled days losses in November 2021?
No. Seven bouts produced four wins and three losses across the fifteen-day tournament.
Where does Wajima’s default loss fit in his 12–2–1 record?
The day-14 default is one of his two losses. His final-day absence is recorded separately; it was not an unscheduled day in a lower-division programme.
How did radio affect the live programme?
Limits on shikiri, the opponents’ preparation before starting, were introduced in 1928 so the bouts could finish within the broadcasting slot.
Sources and further reading
- Honbasho
- 相撲の歴史|日本相撲協会
- 幕下以下の取組表について|日本相撲協会公式ファンクラブ
- 本場所の年間日程表|日本相撲協会
- 本場所
- 協会のあゆみ|日本相撲協会
- 大相撲クイズNo.635 三賞|日本相撲協会
- 大相撲五月場所開催中止のお知らせ(2020年5月7日)|チケット大相撲
- 大相撲クイズNo.674 同部屋・近親者対戦|日本相撲協会
- 日本相撲協会:星取表凡例
- 日本相撲協会:輪島の1973年十一月場所
- 日本相撲協会:1928年ラジオと仕切時間
- 日本相撲協会:興行日数の変遷
- 日本相撲協会:名古屋場所の本場所昇格
- 日本相撲協会:欧勝馬の各場所記録
- 日本相撲協会:給金相撲
- 日本相撲協会:番付の級別と取組数(クイズ17)
- Experience Sumo — Winning a bout|JNTO
- 日本相撲協会:幕内の番付表示
- 相撲の勝負|Kids Web Japan
Additional image sources: Japan Sumo Association English guide (arena and bout photographs);Kajima archive: the original Kokugikan in 1909