IN 30 SECONDS

Grand sumo tournaments

本場所(ほんばしょ)

Fifteen-day professional sumo tournaments whose results shape the next ranking.

Spectators and ring: a modern arena in the association’s guide

Six tournaments: three in Tokyo, three elsewhere

Normally fifteen bouts in the top two divisions; seven below

A championship is a result; yokozuna is a rank

01

The schedule and the record

The tournament that counts

Honbasho

Accumulated record → next banzuke position

Jungyō

Practice, demonstrations and exhibition bouts

The banzuke lists ranks and positions; each bout contributes to a tournament record.

A honbasho is an official professional sumo tournament run by the Japan Sumo Association. Its results help determine positions on the banzuke, the association’s official ranking sheet, for the following tournament. Regional tours, or jungyō, feature practice, demonstrations and exhibition bouts rather than having the same ranking function.

Six tournaments in four cities

Regular pattern: three in Tokyo, one in each other city

January

Tokyo

March

Osaka

May

Tokyo

July

Nagoya

September

Tokyo

November

Fukuoka

Day 1Shonichi

15 consecutive days

Day 15Senshūraku

A recurring month/city framework; consult the association for each year’s actual dates and venues.

The regular calendar has tournaments in January, March, May, July, September and November. Tokyo hosts three; Osaka, Nagoya and Fukuoka host one each. A tournament lasts fifteen consecutive days, from shonichi, the opening day, to senshūraku, the final day. Check the current official schedule for dates and venues.

Fifteen days, different bout totals

Makuuchi

Internal ranks include yokozuna and sekiwake

15bouts

Jūryō

The second division

15bouts

Makushita and below

The usual lower-division programme

7bouts

Fifteen tournament days need not mean fifteen individual bouts. The Ōshōma example below gives actual dates for a seven-bout record.

Makuuchi is the highest division and jūryō the second; makushita is the division immediately below them. Names such as yokozuna and sekiwake denote ranks within makuuchi. Wrestlers in the top two divisions normally compete once a day, for fifteen bouts, while those below normally have seven. The tournament’s day number therefore does not tell you how many bouts every wrestler has completed.

Reading a record

○

Win

●

Loss

□

Default win

■

Default loss

や

Rest or no bout

Normal 15-bout schedule

8 wins / 15 bouts

Normal 7-bout schedule

4 wins / 7 bouts

Thresholds assume a completed scheduled programme. や alone does not establish injury, and promotion has no fixed formula.

In the official record table, ○ means a win and ● a loss; □ and ■ mark wins and losses by default. The symbol や means rest or no bout, not necessarily an injury. In a completed schedule, more wins than losses is kachikoshi and the reverse is makekoshi. The usual thresholds are eight wins in fifteen bouts or four in seven. The next ranking depends on the record and previous position, without a fixed promotion formula.

Seven bouts across fifteen days

Ōshōma, November 2021, makushita: four wins and three losses

Day 1No bout
Day 2●
Day 3○
Day 4No bout
Day 5No bout
Day 6●
Day 7○
Day 8No bout
Day 9No bout
Day 10○
Day 11No bout
Day 12○
Day 13No bout
Day 14No bout
Day 15●

By day 10: five bouts completed. Whole tournament: seven bouts, 4–3.

A date example rearranged from the association’s record, not a facsimile of its table. “No bout” adds no loss.

Ōshōma’s November 2021 makushita record was four wins and three losses. He lost on days 2, 6 and 15 and won on days 3, 7, 10 and 12, with no bout on the remaining days. By day 10 he had therefore wrestled five times. The empty dates are part of the lower-division schedule, not additional losses.

Separate absences from default losses

Wajima, November 1973: makuuchi champion at 12–2–1

First 13 days, combined

12 wins + 1 loss

Day 14

■ Default loss: the second loss

Day 15

One separate absence; attends only the presentation

The first thirteen days are shown as an aggregate. Injury absence differs from an unscheduled lower-division date.

Wajima won the November 1973 makuuchi title with twelve wins, two losses and one absence. Injured, he withdrew from day 14, taking a default loss that day, and returned only for the final-day presentation. The default is included in his two losses; the missed final-day bout is the separate absence. This differs from a lower-division date on which no bout was scheduled. Withdrawal did not undo the title he had already secured.

02

Bouts, awards and the day’s programme

Opponents are scheduled as the tournament develops

Inputs

Division, rank and tournament performance

Day-by-day scheduling

Bouts are arranged as the event develops

Regular bouts: stablemates and close relatives normally kept apart

Championship playoffs: exceptions apply

A honbasho is neither a complete round robin nor a knockout bracket. Matchmakers arrange bouts as it proceeds, taking account of rank and performance. Stablemates and close relatives are normally kept apart in regular bouts, with exceptions for championship playoffs.

A title is different from a rank

Compare records within one division and tournament

Tie for the best record

Championship playoff

Division championship

Championship: an event result

Yokozuna: the highest makuuchi rank

Three special prizes: separately selected achievements

Outstanding performance / fighting spirit / technique

Eligible: makuuchi wrestlers ranked sekiwake or below

Each division has a championship, with a playoff to resolve a tie for the best record. The makuuchi title is a tournament result; yokozuna is the highest rank within that division. A committee also awards separate prizes for outstanding performance, fighting spirit and technique to eligible makuuchi wrestlers ranked sekiwake or below. These recognise particular achievements rather than finishing places.

One day in the arena

Normally: first out of the ring loses

Normally: first to touch with a body part other than a sole loses

  1. Lower divisions → jūryō → makuuchi, with ring entrances between parts
  2. Gyōji officiate; yobidashi announce and handle arena duties; judges confer when needed
  3. A ring entrance is a ceremony; a bout produces a result

The programme moves from the lower divisions towards jūryō and makuuchi, with ring-entering ceremonies between parts of the schedule. Normally, the first wrestler to leave the ring or touch the ground with any body part other than the soles of his feet loses. Gyōji officiate; yobidashi announce competitors and handle other arena duties. Ringside judges may confer on a result. The ceremonies themselves do not produce wins and losses.

03

How the modern schedule developed

From regular Edo promotions

An Edo-period ring-entrance print shown by the association: a ceremonial scene

Professional wrestlers and regular promoted contests developed in the Edo period. Ranking sheets, ring-entering ceremonies and ceremonial aprons retain features associated with that history. The calendar and organisation of today’s honbasho took shape through later changes.

Unification, then radio timing

1927

Tokyo and Osaka associations merge

January 1928

Radio begins; the programme must fit the broadcast slot

Makuuchi shikiri time limits

10minutes: initial limit

4minutes: later limit

Shikiri is preparation and coordination before starting, rather than the duration of the bout itself.

The Tokyo and Osaka associations merged in 1927. Live radio coverage followed in January 1928, creating a need to finish the programme within its broadcasting slot. Limits were introduced for shikiri, the preparation in which opponents face one another and coordinate their start: initially ten minutes in makuuchi, later reduced to four. Radio changed the arena’s timing as well as the audience’s reach.

Why tournaments grew longer

10days

Earlier ten-day events

11days

Increased to eleven

13days

Summer tournament, 1937

15days

1939

These are tournament lengths, distinct from annual frequency. The 1930s extensions responded to demand; postwar changes followed.

Tournament duration changed separately from annual frequency. After an increase from ten to eleven days, the crowds attracted by Futabayama’s winning streak prompted a thirteen-day summer tournament in 1937 and fifteen days in 1939. The disruption after the war brought further changes. Fifteen days was a developed arrangement, not a rule that governed every earlier tournament.

The postwar six-tournament calendar

1951–1957 Nagoya quasi-official tournaments

1958 Becomes the sixth official tournament

1952: ring posts replaced by a suspended roof

The original Kokugikan in 1909: pillars support the ring canopy (Kajima archive)
A suspended-roof detail from the association’s modern arena photograph

Different dates and viewpoints, rather than photographs taken around the 1952 work. The change’s date comes from the association’s historical account.

Tournament frequency and duration changed through the prewar and postwar years. Nagoya hosted quasi-official tournaments from 1951 to 1957, then became the sixth official tournament in 1958, establishing the six-tournament, fifteen-day framework. During this period, a suspended roof replaced the four ring posts in 1952, opening spectators’ sightlines.

Following the whole tournament

Modern Ryōgoku Kokugikan in the association’s guide

Follow each bout within a day, and accumulated records across the tournament. Calendar days and individual bout counts are different measures.

Live attendance, television and online coverage offer different ways to follow the event. Tokyo’s present Kokugikan opened in 1985, while venue details elsewhere can change. A daily bout makes more sense when set beside the accumulated record and the remaining championship contenders.

The calendar can be interrupted

Two exceptions in the 2020 announcement

May tournament

Cancelled

July tournament

Nagoya → Tokyo

These were specific 2020 arrangements; the year’s announcement takes precedence over the recurring city list.

The six-tournament pattern has exceptions. The May 2020 tournament was cancelled amid COVID-19 restrictions, and the July tournament moved from Nagoya to Tokyo. The regular city list therefore describes a framework, rather than every year’s complete record.

What can you now explain?

Is a wrestler eliminated after one loss?

No. Competition continues, and the accumulated record matters.

Does everyone wrestle fifteen times?

Normally the top two divisions have fifteen bouts and lower divisions have seven.

Do tour results count in the same way?

Regional tours do not have the ranking function of honbasho.

Were Ōshōma’s unscheduled days losses in November 2021?

No. Seven bouts produced four wins and three losses across the fifteen-day tournament.

Where does Wajima’s default loss fit in his 12–2–1 record?

The day-14 default is one of his two losses. His final-day absence is recorded separately; it was not an unscheduled day in a lower-division programme.

How did radio affect the live programme?

Limits on shikiri, the opponents’ preparation before starting, were introduced in 1928 so the bouts could finish within the broadcasting slot.

Sources and further reading
  1. Honbasho
  2. 相撲の歴史|日本相撲協会
  3. 幕下以下の取組表について|日本相撲協会公式ファンクラブ
  4. 本場所の年間日程表|日本相撲協会
  5. 本場所
  6. 協会のあゆみ|日本相撲協会
  7. 大相撲クイズNo.635 三賞|日本相撲協会
  8. 大相撲五月場所開催中止のお知らせ(2020年5月7日)|チケット大相撲
  9. 大相撲クイズNo.674 同部屋・近親者対戦|日本相撲協会
  10. 日本相撲協会:星取表凡例
  11. 日本相撲協会:輪島の1973年十一月場所
  12. 日本相撲協会:1928年ラジオと仕切時間
  13. 日本相撲協会:興行日数の変遷
  14. 日本相撲協会:名古屋場所の本場所昇格
  15. 日本相撲協会:欧勝馬の各場所記録
  16. 日本相撲協会:給金相撲
  17. 日本相撲協会:番付の級別と取組数(クイズ17)
  18. Experience Sumo — Winning a bout|JNTO
  19. 日本相撲協会:幕内の番付表示
  20. 相撲の勝負|Kids Web Japan

Additional image sources: Japan Sumo Association English guide (arena and bout photographs);Kajima archive: the original Kokugikan in 1909