Illustrated Japanese Culture

Geta: wooden footwear from the platform up

下駄(げた)

Geta are footwear with a platform for the foot, a fabric thong and a raised supporting base. Many have two teeth, but solid platforms, high teeth and other forms also exist. Their construction differs from the softer sole of zōri sandals.

Modern Matsunaga geta with varied platforms, teeth and straps.
Not every geta has two separate teeth.
Renba teeth are cut with the platform; sashiba teeth are fitted separately.
A historical farming device called ta-geta is not simply an everyday sandal.

01

Three parts to recognize

The thong is secured through the wooden platform

The foot rests on the dai

The dai is the platform beneath the foot. The hanao thong passes through holes in it, while the teeth or other base contact the ground. Wood shape, surface treatment and thong design all contribute to the finished footwear.

Integral teeth carved from one piece.
Separate teeth inserted into the base.

The integral form has a sole and teeth carved together. In the separate-tooth illustration, one tooth is moved aside to reveal the joint.

Integral or separately fitted

In renba construction, the platform and teeth are cut from the same piece of wood. In sashiba, separate teeth are inserted.

Height follows the form and use

Low and high teeth, thick platforms called pokkuri or okobo, and single-tooth forms belong to different uses. Maiko okobo should not be confused with the tall three-toothed footwear associated with courtesans. A high sole alone does not identify its wearer.

02

Shape wood, then add the thong

Use the timber carefully

Making geta can involve selecting timber, cutting the platform and teeth, smoothing, applying a finish and fitting the thong. In one traditional integral-tooth method, the shapes of a pair are offset within a block to reduce waste.

Women’s high geta with decorative toe covers, early Showa, Takaoka collection.

A cover can protect the toe area

Some high geta have a tsumakawa cover over the toes. An early-Shōwa women’s pair in Takaoka combines lacquer and maki-e decoration, a woven surface and fabric toe covers.

Different woods and finishes

Hita in Ōita Prefecture is associated with cedar geta. Shizuoka’s Suruga hari-geta add thin wood, paper or fabric coverings to the platform. The surface and construction vary between production centres.

03

Surviving footwear and changing production

Upper face of geta from a late-Kofun archaeological context.
Underside of the same geta, showing integral teeth.

Excavated wooden footwear

A late-Kofun-period watercourse at the Maenakanishi site in Kumagaya yielded an integral-tooth geta. Finds like this establish an early history of wooden footwear. Wider devices used to work wet fields have different functions and should not automatically be treated as the direct ancestor of everyday geta.

Excavated Kobe geta: Heian at right, Kamakura at left and centre.

Objects and the people who made them

Kobe’s archaeological collection includes integral-tooth geta from the Heian and Kamakura periods. A medieval craft illustration also depicts an ashida maker.

A wider place in everyday life

Geta use became more widespread during the Edo period. Different heights, finishes and thong arrangements accommodated different wearers and occasions.

  1. 1878: production begins in Matsunaga
  2. 1907: mechanisation advances
  3. 1960s: product diversification

Matsunaga’s manufacturing industry

Matsunaga developed hardwood geta production from the Meiji period and mechanized in the early twentieth century. Production peaked around 1955; changing lifestyles then encouraged local makers to expand into other footwear.

Examples of modern geta products.

Older shapes and new soles

Modern geta include models with rubber soles or wider thongs, alongside traditional two-tooth forms. Geta also appear in local events: Matsunaga has turned the older practice of tossing a geta for weather divination into a contemporary activity. The divination belongs to folk custom, not weather forecasting.

What can you now explain?

What are the main parts of geta?

The platform, the hanao thong and the teeth or other supporting base.

Do all geta have two teeth?

No. Other raised and solid-platform forms exist.

How do renba and sashiba differ?

Renba teeth are integral with the platform; sashiba teeth are made and fitted separately.

Are geta the same as zōri?

No. Their wooden raised construction differs from zōri’s softer sole.

What is a tsumakawa?

A cover fitted over the toe area on some geta.

Does a tall platform identify a maiko’s footwear?

Not by itself. Distinct high forms belonged to different uses.

What does the Kumagaya find establish?

Integral-tooth wooden footwear existed by the late Kofun period.

Are field-working ta-geta ordinary sandals?

No. Their agricultural function needs to be distinguished from everyday footwear.

What happened in Matsunaga after the production peak?

Makers expanded into a broader range of footwear as lifestyles changed.

Do modern geta retain only historical materials and soles?

No. Rubber soles and other adaptations coexist with older forms.

Sources and images
  1. 下駄(げた) | 神戸市埋蔵文化財センター
  2. テーマ展概要
  3. 下駄 - ジャパンサーチ
  4. メンテナンス中
  5. 表打蒔絵高下駄(女物) 文化遺産オンライン
  6. 松永下駄(まつながげた) - 福山市ホームページ
  7. メンテナンスページ | 福山商工会議所
  8. 私達がつくっています - 日田下駄「因間モード工業」〈公式ホームページ〉
  9. 駿河張下駄:静岡市公式ホームページ
  10. 日田の下駄は、夏だけじゃない!?|オオイタカテテ|大分の魅力的な情報、企業、就活情報発信マガジン